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Marilyn Oshman Staircase, 2015

Excerpt from an essay "The Art of Ed Wilson"
By Michael Roque Collins

.....In a time where so many art trends reflect “high art esthetics,” where process becomes content, the work of Ed Wilson is refreshing because he combines excellence of process in collaboration with art about the human experience.  This artist has developed his techniques to the limits of technical perfection.  The subject  matter, however, is rooted in internal and spiritual forms.  These subjects question the very nature of our rituals relating to faith and to cultural power.  His works questions the abuse of power in our society and investigates globally rooted power aspirations. This artist´s work  possesses quixotic sub themes  which are often balanced with rye humor and sublimely quirky figuration.  As we find ourselves surrounded daily by brutal global aggression his work becomes even more timely and as a prescient reminder of our need for respecting humanity and fostering individual spirituality. 


Ed Wilson’s works are rich with delicate patinas of grey and subtle colors underscoring the somber nature of his thinking expressed powerfully through his sculptures. There exists a sense of potential menace and a price to be paid for our shared cultural greed.  As with the works of Otto Dix, a certain powerful grotesquery exists in his works. Wilson’s use of a surrealistic sense of space and form commingle to foster a mysteriously metaphysical presence in his bias relief’s and large sculpture.  Perspective is distorted in his shallow relief landscapes further isolating the viewer in city spaces emptied of the human presence.  There exists a horrible beauty in his subject that is contrasted by the elegance of his precise and well crafter process.  

Photos by Houston's historic documentarian Paul Hester, 2018

His sculptures invite and repel with the power of suggestion and the horror of a darker presence of humanity.  Even in their playful appearance there lies a connection to the turret and blade of conflict so prevalent today in our global conflicts.  Wilson states that “As much as I am attracted to the idea, I am also impassioned by the sheer beauty of the metal and cast surface.  To move the materials towards the most beautiful conclusion possible is an urgent goal in all of my works.” As one moves through this array remember that some of these small sculptural maquettes stand for the many large wall and room sized works. With this scale shift in mind one begins to feel and sense a mystery possible in his art.

In closing, the work of Ed Wilson stands as an impassioned reminder to the value of both heartfelt content and masterfully resolved process in a work of art.  The truth of his voice has been protected over time through the love, gestation and perseverance so vital for all artists.  The fruit of focused and intelligent repetition has developed honesty of vision and curiosity through purpose. This artist´s work stands as an exclamation for the vital sense of belief so missing in a large part of recent contemporary art. His works are stunning examples of the process and content existing in soulistic harmony beyond the banality of erasure.  Their works stand in heroic opposition to the shallowness of art found to reflect only the means of its process and not the soul of the maker. 
 

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